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Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ...

Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a great anti-war classic.

"The Fortnight in September" by RC Sherriff was published in September 1931. It was glowingly reviewed: 'A lovely novel,' declared the "Daily Telegraph", 'a little masterpiece' wrote the "Sunday Express". In America, the "Saturday Review of Literature" thought that 'nothing since Dickens has come closer to giving between covers the intrinsic spirit of England.' "The Spectator" reviewer said: 'There is more simple human goodness and understanding in this book than in anything I have read for years...Once more, the author of "Journey's End" has enriched our lives.' "Journey's End" (1929) is one of the great stage plays. Set during the First World War, it had no women in it, no heroes and no love interest - it was about the hopes and fears of a group of ordinary men waiting in a dug-out for an attack to begin. It was based on Sherriff's own letters home, and its success was in part due to his ability to recreate the trench experience exactly as he had lived it."The Fortnight in September", written two years after "Journey's End", shares its emphasis on real people leading real lives. But the atmosphere could not be more different, embodying as it does the kind of mundane normality the men in the dug-out longed for - domestic life at 22 Corunna Road in Dulwich, the train journey via Clapham Junction to the south coast, the two weeks living in lodgings and going to the beach every day. The family's only regret is leaving their garden where, we can imagine, because it is September the dahlias are at their fiery best (hence the endpaper): as they flash past in the train they get a glimpse of their back garden, where 'a shaft of sunlight fell through the side passage and lit up the clump of white asters by the apple tree.' This was what the First World War soldier longed for; this, he imagined, was what he was fighting for and would return to (as in fact Sherriff did).He had had the idea for his novel at Bognor Regis (as in "Journey's End", and "The Hopkins Manuscript", Persephone Book No. 57, the physical setting is wonderfully evoked): watching the crowds go by, and wondering what their lives were like at home, he 'began to feel the itch to take one of those families at random and build up an imaginary story of their annual holiday by the sea...I wanted to write about simple, uncomplicated people doing normal things. 'Sherriff adds, in his memoir "No Leading Lady" (a few pages of which is reprinted at the beginning of the book): 'The story was a simple one: a small suburban family on their annual fortnight's holiday at Bognor: man and wife, a grown-up daughter working for a dressmaker, a son just started in a London office, and a younger boy still at school. It was a day-by-day account of their holiday from their last evening at home until the day they packed their bags for their return; how they came out of their shabby boarding house every morning and went down to the sea; how the father found hope for the future in his brief freedom from his humdrum work; how the children found romance and adventure; how the mother, scared of the sea, tried to make the others think she was enjoying it.'"The Fortnight in September" was a very brave book to write because it was not obviously 'about' anything except the 'drama of the undramatic'. And yet the greatness of the novel is that it is about each one of us: all of human life is here in the seemingly simple description of the family's annual holiday in Bognor. This is a book which fits fairly and squarely on the Persephone list.

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

For the first time ever, eight of the most iconic cinematic masterpieces of the horror genre are available together on Blu-ray as Universal Monsters: The Essential Collection.

Digitally restored in perfect high-definition picture and perfect high-definition sound, this essential set includes a never-before-seen featurette about the restoration of Dracula and the first ever offering of Creature from the Black Lagoon in its restored Blu-ray version.

Contains hours of bonus features, a 44-page booklet and 8 exclusive art cards with original theatrical posters.

Dracula (1931):
The original 1931 movie version of Bram Stoker's classic tale has for generations defined the iconic look and terrifying persona of the famed vampire. Dracula owes its continued appeal in large part due to Bela Lugosi's indelible portrayal of the immortal Count Dracula and the flawless direction of horror auteur Tod Browning.

Bonus Features:

• Dracula (1931) Spanish Version
• Introduction to the Spanish Version by Lupita Tovar Kohner
• Dracula: The Restoration
• The Road To Dracula
• Lugosi: The Dark Prince
• Feature Commentary by Film Historian David J. Skal
• Alternate Score By Philip Glass performed by the Kronos Quartet
• Dracula Archives
• Monster Tracks Pop-Up Facts (pop-up facts about the making of Dracula that can be read while watching the film)
• Trailer Gallery: Centennial Trailer, Dracula Trailer, Dracula's Daughter Trailer, Son Of Dracula
• Trailer, House of Dracula Trailer

Frankenstein (1931):
Boris Karloff stars as the screen's most tragic and iconic monster in what many consider to be the greatest horror film ever made. Dr. Henry Frankenstein (Colin Clive) dares to tamper with the essential nature of life and death by creating a monster (Karloff) out of lifeless human body parts. Director James Whale's adaptation of the Mary Shelley novel and Karloff's compassionate portrayal of a creature groping for identity make Frankenstein a timeless masterpiece.

Bonus Features:

• 100 Years of Universal: Restoring the Classics
• The Frankenstein Files: How Hollywood Made A Monster
• Karloff: The Gentle Monster
• Monster Tracks Pop-Up Facts (pop-up facts about the making of Frankenstein that can be read while watching the film)
• Universal Horror
• Frankenstein Archives
• Boo!: A Short Film
• Feature Commentary With Film Historian Rudy Behlmer
• Feature Commentary With Historian Sir Christopher Frayling
• Trailer Gallery: Centennial Trailer, Frankenstein Trailer, The Bride of Frankenstein Trailer, The Ghost of Frankenstein Trailer, Frankenstein Meets the Wolf Man Trailer, House of Frankenstein Trailer

The Mummy (1932):
Horror icon Boris Karloff stars in the original 1932 version of The Mummy in which a team of British archaeologists accidentally revives a mummified high priest after 3,700 years. Alive again, he sets out on an obsessive--and deadly--quest to find his lost love. Over 50 years after its first release, this brooding dream-like horror classic remains a cinematic masterpiece.

Bonus Features:

• Mummy Dearest: A Horror Tradition Unearthed
• He Who Made Monsters: The Life and Art of Jack Pierce
• Unraveling the legacy of The Mummy
• The Mummy Archives
• 100 Years of Universal: The Carl Laemmle Era
• Feature Commentary with Film Historian Paul M Jensen
• Feature Commentary by Rick Baker, Scott Essman, Steven Haberman, Bob Burns and Brent Armstrong
• Trailer Gallery: Centennial Trailer, The Mummy Theatrical Trailer, The Mummy's Tomb Theatrical Trailer, The Mummy's Ghost Trailer, The Mummy's Curse Trailer, The Mummy's Hand Trailer

The Invisible Man (1933):
Claude Rains delivers an unforgettable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Covered by bandages and dark glasses, Rains arrives in a small English village and attempts to hide his amazing discovery, but the drug's side effects slowly drive him to commit acts of unspeakable terror.

Bonus Features:

• Now You See Him: Invisible Man Revealed
• 100 Years of Universal: Unforgettable Characters
• Production Photographs
• Feature Commentary with film historian Rudy Behlmer
• Centennial Trailer

The Bride of Frankenstein (1935):
The acclaimed sequel to the original Frankenstein has become one of the most popular horror classics in film history. The legendary Boris Karloff reprises his role as the screen's most misunderstood monster, now longing for a mate of his own. Colin Clive is back as the proud and overly ambitious Dr. Frankenstein, who creates the ill-fated bride (Elsa Lanchester). The last horror film directed by James Whale features a haunting musical score that helps make The Bride of Frankenstein one of the finest and most touching thrillers of its era.

Bonus Features:

• 100 Years of Universal: Restoring the Classics
• She's Alive! Creating The Bride of Frankestein
• The Bride of Frankenstein Archives
• Feature Commentary with Scott MacQueen
• Trailer Gallery: Centennial Trailer, Frankenstein Trailer, The Bride of Frankenstein Trailer, The Ghost of Frankenstein Trailer, House of Frankenstein Trailer

The Wolf Man (1941):
Originally released in 1941, The Wolf Man introduced the world to a new Universal movie monster and redefined the mythology of the werewolf forever. Featuring a heartbreaking performance by Lon Chaney Jr. and groundbreaking make-up by Jack Pierce, The Wolf Man is the saga of Larry Talbot, a cursed man who transforms into a deadly werewolf when the moon is full. The dream-like atmospheres, elaborate settings and chilling musical score combine to make The Wolf Man a masterpiece of the genre.

Bonus Features:

• 100 Years of Universal: The Lot
• Monsters By Moonlight: An Original Documentary
• The Wolf Man: From Ancient Curse to Modern Myth
• Pure In Heart: The Life and Legacy of Lon Chaney Jr.
• He Who Made Monsters: The Life and Art of Jack Pierce
• Wolf Man Archives
• Feature Commentary with Film Historian Tom Weaver
• Trailer Gallery: Centennial Trailer, The Wolf Man (1941) Trailer, Frankenstein Meets the Wolf Man Trailer, Werewolf of London Trailer, She-Wolf of London Trailer, House of Frankenstein Trailer, House of Dracula Trailer

The Phantom of the Opera (1943):
This lavish retelling of Gaston Leroux's immortal horror tale stars Claude Rains as the masked phantom who haunts the Paris Opera House. A crazed composer who schemes to make beautiful young soprano Christine DuBois (Susanna Foster) the star of the opera company, the Phantom also wreaks revenge on those he believes stole his music. Nelson Eddy, as the heroic baritone, tries to win the affections of Christine as he tracks down the murderous, horribly disfigured Phantom.

Bonus Features:

• 100 Years of Universal: The Lot
• The Opera Ghost: A Phantom Unmasked
• Production Photographs
• Feature Commentary with Film Historian Scott MacQueen
• Phantom of the Opera Theatrical Trailer
• Centennial Trailer

The Creature from the Black Lagoon (1954):
Captured and imprisoned for scientific study, a living "amphibious missing link" becomes enamored with the head researcher's female assistant (Julie Adams). When the hideous creature escapes and kidnaps the object of his affection, a crusade is launched to rescue the helpless woman and cast the terrifying creature back to the depths from which he came. Featuring legendary makeup artist Bud Westmore's brilliantly designed monster, The Creature from the Black Lagoon is an enduring tribute to the imaginative genius of its Hollywood creators.

Bonus Features:

• The Creature From The Black Lagoon in Blu-ray 3D
• 100 Years of Universal: The Lot
• Back to the Black Lagoon
• Production Photographs
• Feature Commentary With Film Historian Tom Weaver
• Trailer Gallery: Centennial Trailer, The Creature From The Black Lagoon Trailer 1, The Creature From The Black Lagoon Trailer 2, Revenge of the Creature Trailer, The Creature Walks Among Us Trailer

The funny and moving story of the apocalypse - as seen from one small village in England 'I loved this book, by turns funny and tragic ... It moves between abject despair and good old-fashioned British stoicism with ease. Magical' Jeff Noon, Spectator, Books of the Year 2018 Retired teacher Edgar Hopkins lives for the thrill of winning poultry prizes. But his narrow world is shattered when he learns that the moon is about to come crashing into the earth, with apocalyptic consequences. The manuscript he leaves behind will be a testament - to his growing humanity and to how one English village tried to survive the end of the world... Written in 1939 as the world was teetering on the brink of global war, R. C. Sherriff's tragicomic novel is a masterly work of science fiction, and a powerful warning from the past. 'Spectacular, skilled and moving. It is supremely and alarmingly relevant' Fay Weldon 'Intensely readable and touching' Sunday Telegraph

There have been strange rumours about this house. Although it was in a state of ruin, lights were seen in the windows every Christmas Eve: music was heard: voices and laughter... With a superlative cast led by Aden Gillett (Winner of the OffWestEnd Award for Best Actor for Accolade at the Finborough Theatre) and Benjamin Whitrow. Christmas Eve, 1951. As Britain rebuilds itself after the war, John Greenwood has it all - a successful business, a beautiful house and an aristocratic wife. But as he bids farewell to the guests leaving his annual Christmas party, a gust of wind slams the front door shut, starting a chain of events that makes him doubt everything he has ever known...From the writer of one of the 20th century's most acclaimed plays, Journey's End, The White Carnation is a ghostly tale of one man's chance to do things differently. This rediscovery marks the first production since its premiere, starring Sir Ralph Richardson, in 1953.

Casting: 10 m / Scenery: Interior The greatest of all English war plays, Journey's End shows the effect of war on a group of young officers. The play is a tragic and moving piece for advanced casts.

"Power...Power to walk into the gold vaults of nations, amidst the secrets of kings, into the Holy of Holies Power to make multitudes run squealing in terror, at the touch of my little invisible finger " - Claude Rains as The Invisible Man Includes the shooting script, pressbook and an introduction by Jessica Rains "Anyone who cares about classic monster movies will find a treasure trove of information, rare photos, and meticulous detail in these books. They are obviously a labor of love." - Leonard Maltin.

Gripping mystery drama. An ordinary decent citizen is caught in a waking nightmare. A West-End hit in 1950.2 women, 5 men